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This paper is a queer spatial study of the episode Chewing Gum of the Pakistani anthology series, Kitni Girhaiñ Bāqi Haiñ2 (2016- ). This 40-minute episode marked the first instance of onscreen lesbianism in Pakistani visual media, and was subject to much controversy immediately following its air date. This paper will look into how Malik constructs female queerness onscreen, and how she sees female deviant sexualities as potentially threatening to heteronormative structures, especially to the state-sponsored institution of marriage, and the sacrosanct domestic, martial space. Chewing Gum configures domesticity as a state of being closeted which is broken in and dismantled by Qandeel, a queer woman who performs heterosexuality as a means of intruding upon the private space, and then de-phallicises it. The queer women of Chewing Gum, thus, create an emancipative space which accommodates anti-nationalist and non-normative identities. Moreover, through them queer experience itself has been reimagined as being internally heterogenous, thus complicating what it means to be queer within Pakistani urban and nationalist cartographies.

Syeda Momina Masood, Mr. Khurshid Alam. (2018) “Itni Behuda Aurat1 !”: Lesbianism and Queer Spatial Politics in Angeline Malik’s Chewing Gum, Journal of Research ( Humanities), Volume LIV , Issue LIV.
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