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The study examines the patriarchal social orders comprising social values, norms, concepts and ideologies that are (re)produced, established and maintained through discourse. The researchers undertook Urdu/Hindi/Punjabi musical discourse i.e. songs which are popular among Pakistanis to analyze that how patriarch-centered ideologies are (re)produced and reinforced through above mentioned discourse. Since musical discourse can be interpreted as social practice, it mulls overcertainways of representing maininclination of the social (musical) domain. A form of Critical Discourse Analysis named Feminist Critical Discourse Analysis (FCDA) has been applied to critique the aforementioned discourse as Lazar (2005, p.5)statesthat discourses sustain a patriarchal social order i.e. relations of power that systematically privilege men as a social group and disadvantage, exclude and disempower women as a social group. FCDA has therefore been taken asKAROONJHAR [Reseach Journal] Subsistence of Patriarchal Social Orders through Musical— 20 theoretical framework, then a triangulation of van Dijk’s (2008) “Socio-cognitive Approach” with “Social Representation Theory” by Moscovici (1972) is formulated to analyze selected data i.e. Urdu/Hindi/Punjabisongs.The study exploitsideas of “male” and “dominance” to find out the reciprocation of gender, male dominance and possible implications on audiences’conception.The findings indicate that said musical discourse helps in sustaining patriarchal hegemony and gender inequality. The discourse exploits various strategies in order to naturalize stereotypical roles of male and female. This study also suggests that critical analysts need to challenge implicit social values and decided images for male and female to voice the depressed i.e. women.

Muhammad Akbar Khan, Muhammad AjmalKhurshid, Nazir Ahmed Malik. (2018) Subsistence Of Patriarchal Social Orders Through Musical Discourse: A Feminist Critical Study, Karoonjhar Research Journal, Volume 18-19, Issue-1.
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