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The importance of Maulana Altaf Husain Hali [Alṭāf Ḥusain Ḥālī] in the evolution of Urdu literature is sufficiently known, and we don’t need to emphasize it here again.i It is sufficient to say that his Muqaddama, or ‘Introduction” (originally intended as a rather long preface to his Divān, published in 1893) was and still partly is considered the modern ars poetica for Urdu poetry. “Hali and Shibliii were the two great literary dictators of their age: writes Dr. Vahid Quraishi in the preface to his valuable re-edition of the Muqaddama published by the Maktaba-e Jadid in Lahore with interesting notes and appendicesiii—they studied the old and new literary criticism and after having clearly fixed the limits of the old frame they tried to pour into it the leaven of Western ideas”. Such first attempts to create a fusion of Eastern and Western ideals in Art I consider extremely interesting both for their theoretical value (nobody can possibly know the intricacies and depths of the Muslim poetical style as much as an oriental poet) and their practical results. From the latter point of view it is sufficien

Alessandro Bausani. (2016) Altaf Hussain Hali’s Ideas on Ghazal, Bazyaft, Vol 28-29, Issue 1.
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