New trends in Ghazal of Hind & Sindh
Abstract
Ghazl being the origination of Arabic and Persian literature but
Sindhi Poets separated and tinged it in pure indigenous state.
Background:
Till partition of the subcontinent Persian dominated Ghazal in Sindh.
But then the migration of Hindus from Sindh to India the ghazal got purification from Persian in India and new change occurred that brought thought for
the worker (Labour) on one side and on the other revolution and smash of social and political values that were considered conjoint with the freedom of the
country.
The traditional effect of Ghazal continued upto seventh decade of the
20th century. Besides this for progressiveness in India. The element of Nationalism grew up in Sindh. Many of the poets realized that the freedom had
chained Sindh and they began to see the language and literature of Sindh at
stake.
Thus Ghazal brought the love for the native land in common.
In India challenge towards the revolution & change in the Social System and facing the tyranny of feudalism, rose up. In the meanwhile Sindhi
Ghazal accepted the challenge to protect Sindh.
Ghazal in Sindhi showed in Hind the reminiscence for Sindh at the
same time Ghazal in Sindh expressed “Nationalism”
Wasidyo Mohi. (2010) هند-سنڌ جي غزل۾نوان لاڙا (1997ع کان2007ع تائين جو جائزو), Kalachi, Volume 13, Issue 1.
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