Abstract
Sensuous expression was formally started with the Progressive Writers Moment in Urdu Literature. Khayal Amrohvi presented this phenomenon as a tragic situation. In this article, it is discussed that he unveiled the baseness of vulgar and sensuous people in such a manner that every verse or couplet by him whips them tauntingly. He cuts the lesions of the society in a surgical way that all rotten matter drains out.
