Abstract
This research article deals with the usage of Loli (lullaby) in Brahui poetry that this type of poetry reviles the heart touching feeling of Mother with her child. Basically, Lullaby is a creation of women. In this article, it is trying to understand that how a mother lap becomes a shadow of love. Where the breeze of love takes him in the world of dreams then he comes to know about the comfort of life, when he puts and keep his head in the lap of mother. This article shows how a child becomes the bow of his mother and Sight of her eyes? In this article, the formation of lullaby has been discussed that how a mother starts breaking the words and speaks as a child in the same way in order to know his pain? she just looks at his face. it becomes enough to just give a glimpse on his face and know all his worries knowing his face is enough to know his all life. This article emphasis in the shape of Brahui Loli that the Mothers love is eternal for children. Child is always a child for his parents if he gets elder even then. In childhood, a child gets the comports of lullaby from his mother and when he gets elder he owes success to his mother’s prayer. This article describes the uses of Lullaby that in this shape and style of poetry increases the mother’s respect in child’s life. It is comparative and analytical study between mother and child that when she is child she is blessing for her parents as a mother she is the gift of God for her children her every thought is to up lift children. In Brahui poetry lullaby has not only been written for children rather it has been the way of expression of the feelings of the people who spend their life in villages. Our social norms have remained too much stacked in the world of lullabies. we can find too much love which have their own specific value. They have taken the help of words. They praise their beloved in the cover of words.

Ghulam Haider Naz Ababaki, Shabeer Ahmad Shahwani, Dr. Liaqat Sani 3, Muhammad Yousaf 4. (2017) Lullaby in Brahui Folk Poetry, Balochistan Review, Volume 1, Issue 1.
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