Abstract
This article analyzes the concept of postcolonial aesthetics as developed and debated by
such critics as Bill Ashcroft, Elleke Boehmer and Robert Young. In particular, it critiques
Ashcroft’s theorization of the postcolonial aesthetics in his article ‘Towards a
Postcolonial Aesthetics’ and recommends an alternative approach to the
conceptualization of postcolonial aesthetics with reference to Muhammad Hasan
Askari’s essay on Ahmed Ali’s novel Twilight in Delhi. It questions Ashcroft’s emphasis
on the hybrid linguistic makeup of the postcolonial text as the source of the particular
aesthetic effects of the text and emphasizes the need for differentiating between affection
– the writer’s deep sense of engagement with and involvement in the narrative – and
affectation – a clever use of native words and expressions by the writer to authenticate
his or her cultural identity – in discussing the affective dimension of a postcolonial text.
The article argues that the aesthetic impact of the postcolonial text is produced by the
intensity of experience and emotional involvement of the postcolonial writer (affection)
as opposed to being produced by creative wordplay and mixing of local and foreign
languages (affectation). Thus, the article contributes to the ongoing debates about the
aesthetic dimension of postcolonial literature.
Faisal Nazir. (2019) POSTCOLONIAL AESTHETICS: AFFECT, AFFECTION OR AFFECTATION?, Journal of Social Science and Humanities, Volume 58, Issue 1.
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