Abstract
The world of sounds which we face sometimes on the basis of
concentration and sometimes casually is full of meaningful treasures.
Besides it we all pass through several zones of silences. Sensitive poets take
their subjects even out of these zones and because of their strangeness they
often escape the consciousness of common readers. Iftikhar Jalib the pioneer
of New Poetry Movement in Urdu was fond of entering into the zones of
new unnoticed silences and noises. When he brought his new subjects in the
realm his poetry common Urdu poetry readers faced problem of none
communication. Qadeem Banjar is his long poem. In it he depicted his
experiences in new formative modes of Urdu poetry. This poem needs
thorough critical examination. The scribe of this article has tried to give a
meaningful explanation of the method used by the poet in this poem.
سعادت سعید. (2017) لفظوں کے جہانوں کی دھما چوکڑی اور معنی بند شاعری, Bazyaft, Vol 30- 31, Issue 1.
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