پښتو فکشن کښې د مابعد جديديت تجزيه
Abstract
Postmodernism is a movement which reflects various fields of interest. It is applied on
literature, architecture, manufacturing, engineering, medical and fine arts.
Professional fields tend to mould with the ongoing replacement of thing. Ideas incline
to reshape through the process of modification. Postmodernism is termed in three
perspectives i.e. era, generally after World War II and specifically from 1970, the
philosophical ideas and critical thinking of late 1960s referring Poststructuralists
Jacques Darrida, Michael Foucault, Jean-Francois Lyotard and Martin Heidegger and
consequently a compact package that refers to the era and philosophical and critical
studies. Postmodernism is also used as synonym term along with post-industrialism
movement. In literature postmodernism is a live movement prevailed worldwide
irrespective of constantly challenging by various fields’ thinkers. Literary,
Postmodernism is the death of Grand-narratives or meta-narrative. It focuses on
micro-narratives where social and economic ideas flourish significantly. In Pashto
fiction postmodernism starts after the drive of 9/11. In Pashto fiction the events,
scenes, situations, scenarios and ideas refer to Postmodernism have been explained
frequently. Some fictional writings comprising the terms and terminologies referred to
postmodernism. Some writers of Pashto fiction challenge the traditionalists. They opt
to channelize the Pashto fictional writing on the parameters of world literature. They
tend to challenge the traditional ways of writing as ill-dated and out-moded. Social
and economic changes will in dire need to be reshaped with the global rapid changes.
It leads to the discourse where ultimate reality seeming cease able. This paper will
reflect the movement of postmodernism elaborated in the form of terms and
terminologies constructed in the fictional writings of Pashto literature.
Muhammad Anwar Khan Aurakzai. (2018) An Analysis Of Postmodernism In Pashto Fiction, Pashto, Volume 47, Issue 1.
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