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The third democratisation wave that swept across Black African countries in the 1990s has paradoxically engendered “strange” forms of political system which have variously been described by political ideologues as “democratic dictatorship”, “African democracy” or “Black’s man democracy”; this, in clear contrast with western conceptions of liberal democracy. In the specific cases of Nigeria and Cameroon, this “African democracy” has consisted in upholding few democratic precepts (notably the theoretical institution of political pluralism and the promulgation of liberty bills), while retaining various forms of autocratic cultures. Some of these autocratic cultures have included the passing of anachronistic and restrictive laws, the covert intimidation/elimination of opposition parties and the systematic gagging of the antigovernment press among others. Using a critical exploitation of secondary data and a comparative methodology, this paper explores the extent to which the pro-democratic reforms of the 1990s and 2000s in Nigeria and Cameroon have been conducive to freedom of the press and freedom of expression. The paper equally examines the extent to which these political reforms have reduced aspects of the authoritarian media theory in the two countries.

ENDONG, Floribert Patrick C.1. (2016) From Dictatorship to Black Man’s Democracy: How has Freedom of the Press Improved in Nigeria and Cameroon?, Journal of Media Studies, Volume 33, Issue 1.
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